The Death Of Authentic Primitive Art: And Other Tales Of Progress

Description: Please refer to the section BELOW (and NOT ABOVE) this line for the product details - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Title:The Death Of Authentic Primitive Art: And Other Tales Of ProgressISBN13:9780520212114ISBN10:0520212118Author:Errington, Shelly (Author)Description:In This Lucid, Witty, And Forceful Book, Shelly Errington Argues That Primitive Art Was Invented As A New Type Of Art Object At The Beginning Of The Twentieth Century But That Now, At The Century's End, It Has Died A Double But Contradictory Death Authenticity And Primitivism, Both Attacked By Cultural Critics, Have Died As Concepts At The Same Time, The Penetration Of Nation-States, The Tourist Industry, And Transnational Corporations Into Regions That Formerly Produced These Artifacts Has Severely Reduced Supplies Of Primitive Art, Bringing About A Second Death Errington Argues That The Construction Of The Primitive In The Nineteenth And Twentieth Centuries (And The Kinds Of Objects Chosen To Exemplify It) Must Be Understood As A Product Of Discourses Of Progress-From The Nineteenth-Century European Narrative Of Technological Progress, To The Twentieth-Century Narrative Of Modernism, To The Late- Twentieth-Century Narrative Of The Triumph Of The Free Market In Part One She Charts A Provocative Argument Ranging Through The Worlds Of Museums, Art Theorists, Mail-Order Catalogs, Boutiques, Tourism, And World Events, Tracing A Loosely Historical Account Of The Transformations Of Meanings Of Primitive Art In This Century In Part Two She Explores An Eclectic Collection Of Public Sites In Mexico And Indonesia-A National Museum Of Anthropology, A Cultural Theme Park, An Airport, And A Ninth-Century Buddhist Monument (Newly Refurbished)-To Show How The Idea Of The Primitive Can Be Used In The Interests Of Promoting Nationalism And Economic Development Errington's Dissection Of Discourses About Progress And Primitivism In The Contemporary World Is Both A Lively Introduction To Anthropological Studies Of Art Institutions And A Dramatic New Contribution To The Growing Field Of Cultural Studies Anthropologist Shelly Errington Argues That Primitive Art, Invented As A New Type Of Art Object At The Beginning Of The 20Th Century, Has Died Errington's Dissection Of Discourses About Progress And Primitivism Is A Lively Introduction To Anthropological Studies Of Art Institutions And A Dramatic Contribution To The Growing Field Of Cultural Studies 106 Illustrations Binding:Paperback, PaperbackPublisher:University of California PressPublication Date:1998-12-21Weight:1.2 lbsDimensions:0.91'' H x 8.97'' L x 6.09'' WNumber of Pages:335Language:English

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Location: USA

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