Unique MANTEGNA 1800s Detailed Etching "The Triumph of Scipio" Framed SIGNED COA

Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Andrea Mantegna (Italian, 1431-1506) Title: The Triumph of Scipio Medium: Antique Copper plate etching on laid paper after the original by master etcher William Wise (British, 19th Century). Year: 1874 Signature: Signed in the plate. Condition: ExcellentDimensions: Image Size 7 x 11 1/2 inches. Framed dimensions: Image Size 16 x 21 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more than 140 years old. The strike is crisp and the lines are sharp. Extra Information: Scene in ancient Rome; a man, thought to be Cornelius Scipio, surrounded by onlookers, falling on his knees at the sight of the sculpted bust of Cybele, carried by two men at left; stone monument behind, lettered with 'S P Q R / C N Scypio / N I CORNELL / V S F P'. Artist Biography: Andrea Mantegna was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Mantegna is known for the linear sharpness and rigorous attention to detail of his art. Mantegna also stands out among Italian Renaissance painters for his complete dedication to classical antiquity. At an early age the artist was apprenticed to the painter Francesco Squarcione, who later adopted him. However, the young Mantegna soon left his master's studio for an independent career that began when, in 1448, he was awarded part of the commission for the fresco decoration of the Ovetari chapel in the Church of the Eremitani, Padua (now mostly destroyed). Perhaps the single most significant influence on Mantegna's style was the sculpture of Donatello in Padua. Also important was the luminous art of Giovanni Bellini, whose sister, Nicolosia, married Mantegna in 1453. In 1459, persuaded by the Marquis Lodovico Gonzaga, Mantegna moved to Mantua. With the exception of a stay in Rome in 1488-1490, Mantegna spent the rest of his life in the service of three generations of Gonzaga patrons in Mantua. He died there in 1506 as one of the most highly respected artists of the Renaissance. As official painter, Mantegna's reputation reflected positively on the status of the patrons for whom he executed his greatest works. The famous Camera degli Sposi, or Camera Picta, in the ducal palace in Mantua (1465-1474), is his most significant commission for Marquis Lodovico. The innovative spatial construction of the frescoes, particularly the oculus in the ceiling, had a profound effect on Correggio who, though probably too young to have been a pupil, must have studied Mantegna's works very closely. The dignified yet engaging family portraits on the walls of the Camera Picta also had a strong impact on other artists. Lodovico's grandson Francesco II Gonzaga was probably the patron of Mantegna's series of monumental canvases of the Triumphs of Caesar, now at Hampton Court. Though quite damaged, they are key examples of Mantegna's use of the technique of distemper on canvas. Mantegna's religious works reflect the range of his patron's needs from small devotional paintings to great altarpieces--such as the Madonna della Vittoria (Musée du Louvre, Paris), painted for Francesco Gonzaga in 1496. While Mantegna must have had a large workshop to help with his numerous commissions, he had few pupils of note: Bonsignori and Caroto are usually cited, in addition to the lesser talent of his son, Francesco. Mantegna's influence was wide, but nowhere more so than in the field of engraving, which he raised to a high art. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

Price: 299 USD

Location: Cape Coral, Florida

End Time: 2024-05-20T23:00:01.000Z

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